Apple’s Final Cut Pro X includes a deceptively simply – often confusing – yet extremely powerful color correction tool, commonly known as the Color Board. Custom grading “looks” are all the rage and FCP X includes a number of ways to stylize an image, including a selection of presets that can be applied in the Color Board. In addition, users can create and store their own presets, simply by saving a correction that they particularly like or want to re-use on other shots.
When you save a preset, that creates a .cboard file, which is saved into the Color Presets folder located in the User / Movies / Final Cut Events folder. These files can be copied and pasted to other systems at that same location and thus become available for use within Final Cut Pro X on another machine.
I’ve created a set of simple, primary-grade presets that you can download and use if you like. These are based on the sample image of a woman that I have used in other posts. All you have to do to use these is download and install them and they will show up in the Color Board presets menu of your system. As with any software, proceed at your own risk, as I haven’t done any extensive testing. Once you install the presets and launch FCP X, the app may require a restart in order to update the Event.
These presets are primary grades that were built upon the look of the sample image as a starting point. It’s fairly neutral, so if the tonal range of your clip differs widely, you’ll obviously have to tweak the sliders to get the look that’s appropriate to your footage. One suggestion is to apply the correction in stages.
In this example, I have taken a log profile image from a Blackmagic Cinema Camera and applied three color correction settings (click the image to see an expanded view). The first is to correct for the log profile and get the image into a contrast and saturation range that is similar to my sample. On the next correction, I have applied one of my custom grades as a full screen secondary correction. Since none of these presets include shapes or color isolation, there is a third layer with a shape mask. I have used this to darken the exposure outside of the mask, thus creating a vignette effect.
Click on any of these images for a slide show of the various presets.
©2013 Oliver Peters