Are you aspiring to be the next Chris Lord-Alge or Glyn Johns? Maybe you just have a rock ‘n roll heart. Or you just want to try your hand at mixing music, but don’t have the material to work with. Whatever your inspiration, Lewitt Audio – the Austrian manufacturer of high-quality studio microphones – has made it easier than ever to get started. Awhile back Lewitt launched the myLEWITT site as a user community, featuring educational tips, music challenges, and free content.
Even though the listed music challenge contests may have expired, Lewitt leaves the content online and available to download for free. Simply create a free myLEWITT account to access them. These are individual .wav stem tracks of the complete challenge songs recorded using a range of Lewitt microphones. Each file is labelled with the name of the mic used for that track. That’s a clever marketing move, but it’s also handy if you are considering a mic purchase. Naturally these tracks are only for your educational and non-commercial use.
Since these are audio files and not specific DAW projects, they are compatible with any audio software. Naturally, if you a video editor, it’s possible to mix these tracks in an NLE, like Premiere Pro, Media Composer, or Final Cut Pro. However, I wouldn’t recommend that. First of all, DAW applications are designed for mixing and NLEs aren’t. Second, if you are trying to stretch your knowledge, then you should use the correct tool for the job. Especially if you are going to go out on the web for mixing tips and tricks from noted recording engineers and producers.
Start with a DAW
If you are new to DAW (digital audio workstation) software, then there are several free audio applications you might consider just to get started. Mac users already have GarageBand. Of course, most pros wouldn’t consider that, but it’s good enough for the basics. On the pro level, Reaper is a popular free DAW application. Universal Audio offers Luna for free, if you have a compatible UA Thunderbolt audio interface.
As a video editor, you might also be getting into DaVinci Resolve. Both the free and paid Studio versions integrate the Fairlight audio page. Fairlight, the company, had a well-respected history in audio prior to the acquisition by Blackmagic Design, who has continued to build upon that foundation. This means that not only can you do sophisticated audio mixes for video in Resolve, but there’s no reason that you can’t start and end in the Fairlight page for a music project.
The industry standard is Avid Pro Tools. If you are planning to work in a professional audio environment like a recording studio, then you’ll really want to know Pro Tools. Unfortunately, Avid discontinued their free Pro Tools|First version. However, you can still get a free, full-featured 30-day trial. Plus, the subscription costs aren’t too bad. If you have an Adobe Creative Cloud subscription, then you also have access to Audition as part of the account. Finally, if you are deep into the Apple ecosystem, then I would recommend purchasing Logic Pro, which is highly regarded by many music producers.
Taking the plunge
In preparing this blog post, I downloaded and remixed one of the myLEWITT music challenge projects – The Seeds of your Sorrow by Spitting Ibex. This downloaded as a .zip containing 19 .wav files, all labelled according to instrument and microphone used. I launched Logic Pro, brought in the tracks, and lined them up at the start so that everything was in sync. From there it’s just a matter of mixing to taste.
Logic is great for this type of project, because of its wealth of included plug-ins. Logic is also a good host application for third party plug-ins, such as those from iZotope, Waves, Accusonus, and others. Track stacks are a versatile Logic feature. You can group a set of tracks (like all of the individual drums kit tracks) and turn those into a track stack, which then functions like a submix bus. The individual tracks can still be adjusted, but then you can also adjust levels on the entire stack. Track stacks are also great for visual organization of your track layout. You can show or hide all of the tracks within a stack, simply by twirling a disclosure triangle.
I’m certainly not an experienced music mixer, but I have mixed simple projects before. Understanding the process is part of being a well-rounded editor. In total, I spent about six hours over two days mixing the Spitting Ibex song. I’ve posted it on Vimeo as a clip with three sections – the official mix, my mix, and the unmixed/summed tracks. My mix was relatively straightforward. I wanted an R&B vibe, so no fancy left-right panning, voice distortions, or track doubling.
I mixed it totally in Logic Pro using mainly the native plug-ins for EQ, compression, reverb, amp modeling, and other effects. I also used some third-party plug-ins, including iZotope RX8 De-click and Accusonus ERA De-esser on the vocal track. As I brightened the vocal track to bring it forward in the mix, it also emphasized certain mouth sounds caused by the singer’s proximity to the mic. These plug-ins helped to tame those. I also added two final mastering plug-ins: Tokyo Dawn’s Nova for slight multi-band compression, along with FabFilter’s Pro-L2 limiter. The latter is one of the smoothest mastering plug-ins on the market and is a nice way to add “glue” to the mix.
If you decide to download and play with the tracks yourself, then check out the different versions submitted to the contest, which are showcased at myLEWITT. For a more detailed look into the process, Dutch mixing/mastering engineer and YouTuber Wytse Gerichhausen (White Sea Studio) has posted his own video about creating a mix for this music challenge.
Understand that a great music mix starts with a tight group of musicians and high-quality recordings. Without those, it’s hard to make magic. With those, you are more than three-quarters of the way there. Fortunately Lewitt has taken care of that for you.
The point of any exercise like this is to learn and improve your skills. Learn to trust your ears and taste. Should you remove the breaths in a singer’s track? Should the mix be wetter (more reverb) or not? If so, what sort of reverb space? Should the bottom end be fatter? Should the guitars use distortion or be clean? These are all creative judgements that can only be made through trial-and-error and repeated experimentation. If music mixing is something you want to pursue, then the Produce Like A Pro YouTube channel is another source of useful information.
Let me leave you with some pro tips. At a minimum, make sure to mix any complex project on quality nearfield monitors (assuming you don’t have an actual studio at your disposal). Test your mix in different listening environments, on different speakers, and at different volume levels to see if it translates universally well. If you are going for a particular sound or style, have some good reference tracks, such as commercially-mastered songs, to which you can compare your mix. How did they balance the instruments? Did the reference song sound bright, boomy, or midrange? How were the dynamics and level of compression? And finally, take a break. All mixers can get fatigued. Mixes will often sound quite different after a break or on the next day. Sometimes it’s best to leave it and come back later with fresh ears and mind.
In any case, you can get started without spending any money. The tracks are free. Software like DaVinci Resolve is free. As with so many other tasks enabled by modern technology, all it takes is making the first move.
©2022 Oliver Peters