The Boris FX Continuum and/or Sapphire filters have traditionally been essential add-ons for many editors, regardless of NLE brand. The features of these filters are tweaked for the specifics of each host application, but in general, a BCC filter used in Media Composer can be expected to work and look more or less the same way in Premiere Pro.
Compatibility became more difficult for many Final Cut plug-in developers when Apple launched FCPX. For instance, the initial BCC version for FCPX was designed to closely mimic the other BCC versions, yet staying within the then-new Apple architecture. However, some filters never made it into the Final Cut version of BCC, because it wasn’t possible. Boris FX took a different approach in 2021. As I discussed in my review of Continuum FCP last year, the version sold for Final Cut Pro is a different animal than previous Continuum packages for Final Cut Pro, as well as other host applications.
This year Boris FX released the updated 2022 version of Continuum FCP for Final Cut Pro and Motion. Features of the 2022 version include GPU-acceleration for every effect, native operation on M1 Macs, HDR compliance, and more presets. However, the biggest new feature is the addition of Mocha and Pixel Chooser for planar tracking and masking within each effect.
The free Looks filter for FCP
While the update is nice, I wanted to look specifically at the free filter being offered. After all, most folks like free! Right? With the new update Boris FX decided to offer one of the filters for free, no strings attached. Sure, you can test out Continuum with trial versions, but this filter gives you very useful functions – and no watermark. It stands on its own, regardless of whether of not you get the full package. On the other hand, it also gives you a taste, which just may leave you wanting to get the rest of Continuum.
To start, simply register at the Boris FX website and you’ll be emailed a license code and a download link. The installer includes the full Continuum package. Read the installation prompts carefully if you only want to install the single free filter without also installing the others in a trial mode. Launch FCP and you’ll find the BCC+ Looks filter within the BCC Film Style effects category. Once you apply the effect to a clip, you can set up the parameters in the FCP Inspector pane or launch FX Editor, which is similar across multiple Boris FX products. There are 80 stylized presets in FX Editor’s lefthand browser pane, histogram and parameters are on the right, viewer controls for size and comparison spilt screen options at the top, and transport controls at the bottom.
The presets browser uses the current timeline image for each displayed look. Each time you move through the FX Editor timeline and stop on a frame, the preset thumbnails will be updated to the same frame as in the viewer. There are tons of variations from which to select. Once you find a look that you like, click Apply to close FX Editor. Now your FCP timeline clip is updated with that look. But it’s also easy to customize the look either by adjusting the preset or starting from scratch.
The BCC+ Looks filter is a full-featured color correction tool built around seven tabbed parameter layers within the plug-in. Processing is applied in this order, much like nodes in Resolve or layers in Lightroom: [primary] color correction, diffusion, color gradient, gels, [film] lab, grain, and post color correction. Each panel section uses slider controls, plus color pickers for gels and gradients. These parameters can be controlled in the FX Editor or directly from the FCP inspector pane without ever opening the FX Editor.
Let’s say you want a monochrome image with a color wash, diffusion, and some added film grain. If you used the native FCP tools instead of the BCC+ Looks plug-in, then this would require using several different effects in a stack. You still might not get results that look as good. Yet with Looks, it can all be done from a single pane straight from the inspector.
Although this filter is placed into the BCC Film Style category, it does not include any presets for specific Kodak or Fuji film stocks. You’d have to get the full Continuum FCP package to get those. However, there are some generic film emulation presets, like 8mm. If you open the lab tab, you do find options for bleach bypass and cross process settings. This, plus the grain tab, should be all you need to create some pleasing looks that emulate film. Quite frankly, I’ve worked with actual film in the past and most effects that claim to look like a specific brand of film stock never look right to me anyway.
Even though this is a free filter, it still includes a proper version of Mocha designed to work with these effects. Launch Mocha with the Mocha Mask button, which then opens the clip into the separate and familiar Mocha editor. Masking and planar tracking work the same as with all other versions. You might not use Mocha often with this filter, since you’re typically applying looks and color correction full screen. However, having Mocha at your disposal does make it easy to isolate portions of the image if you want to apply a look only to a region, such as a person’s face.
In closing, remember that BCC+ Looks is designed for stylized treatment of the image. It doesn’t include some of the other bells-and-whistles of the Continuum plug-in set, like gobos, glitch and damage effects, lighting, transitions, or titles. You can certainly buy the whole package and add those effects later if you find the need. But if not, BCC+ Looks is a great way to get your feet wet with Continuum and Mocha. Did I say it’s free?
©2022 Oliver Peters
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