Boris FX is a respected developer of visual effects tools for video. With the introduction of Optics in 2020, Boris FX further extended that expertise into the photography market. Optics installs as a plug-in for Adobe Photoshop, Lightroom, and Bridge. Optics is also installed as a standalone app that supports a variety of still image formats, including camera RAW. So, if you’ve avoided an Adobe subscription, you are still in luck. Before you go any further, I would encourage you to read my 2020 review of Optics (linked here) for an overview of how it works and how to use it.
How has Optics 2022 changed?
Since that introduction in late 2020, Optics has gone through several free updates, but the 2022 version requires a small upgrade fee for existing users. If you are new to Optics, it’s available though subscription or perpetual licensing and includes a trial period to test the waters.
At first glance, Optics 2022 looks and operates much like the previous versions. Key changes and improvements for Optics 2022 include Mac M1 native support, Metal acceleration of most Sapphire filters, UI enhancements, and mask exchange with Photoshop. However, the big new features include the introduction of a Particle Illusion category with over 1700 emitters, more Sapphire filters, and the Beauty Studio filter set from Continuum. The addition of Particle Illusion might seem a bit odd for a photography application, but by doing so, Boris FX has enhanced Optics as a graphic design tool.
Taking those point-and-shoot photos into Optics
I’ve used Optics since its introduction and was eager to review Optics 2022 when Boris FX contacted me. There was a local British car show this past Saturday – a superb opportunity to take some photos of vintage Jags, MGs, Minis, Bentleys, Triumphs, and Morgans on a sunny Florida weekend. To make this more real, I decided to shoot the stills with my plain vanilla iPhone SE 2020 using FiLMiC Pro’s FirstLight still photo app. Somewhere along the line, iOS and FirstLight have been updated to allow camera RAW photography. This wasn’t initially available and technically the SE doesn’t support Apple’s ProRAW codec. However, FirstLight now enables RAW recording of DNG files, which are kissing cousins of ProRAW. In the RAW mode, you get the full 4:3, 12MP sensor image. Alternate aspect ratios or in-app film emulations will be disabled.
After a morning of checking out classic cars, I returned home, AirDropped the stills to my iMac and started testing Optics. As RAW photos, the first step in Photoshop is to make any adjustment in the Adobe Camera RAW module before the photo opens in Photoshop. Next, send the layer to Optics, which launches the Optics 2022 application and opens that image in the Optics interface. When you’ve completed your Optics adjustments, click Apply to send the image back to Photoshop as a flat, rasterized image layer or a smart filter.
Working with layers and filters
As I discussed in my 2020 post, Optics itself is a layer-based system, similar to Photoshop. Each layer has separate blend and masking controls. Typically you add one effect per layer and stack more layers as you build up the look. The interface permits you to enable/disable individual layers, compare before and after versions, and adjust the display size and resolution.
Effects are organized into categories (FilmLab, Particle Illusion, Color, Light, etc) and then groups of filters within each category. For example, the Stylize category includes the various Sapphire paint filters. Each filter selection includes a set of presets. When you apply a filter preset, the parameters panel allows you to fine-tune the look and the adjustment of that effect, so you aren’t locked into the preset.
In addition to the parameters panel, many of the effects include on-screen overlay controls for visual adjustment. This is especially helpful with the Particle Illusion effects. For instance, you can change or modify the path of a lightning bolt by moving the on-screen points of the emitter.
Handling file formats
Optics supports TIFF, JPEG, PNG, and RAW formats, so you can open those straight into Optics without Photoshop. In the case of my DNG files, the first effect to be applied is a Develop filter. You can tweak the image values much like in the Adobe Camera RAW module. The operation for creating your look is the same as when you come from Photoshop, except that there is no Apply function. You will need to Save or Save As to export a flat, rasterized TIFF, PNG, or JPEG file.
Unlike Photoshop, Optics does not have its own layered image format. You can save and recall a set-up. So if you’ve built up a series of filter layers for a specific look, simply save that set-up as a file (minus the image itself). This can be recalled and applied to any other image and modified to adapt that set-up for the new image. If you save the file in the TIFF format, then you have the option to save it with the set-up embedded. These files can be opened back up in Optics along with the various filter layers for further editing.
As I worked through my files on my iMac, Optics 2022 performed well, but I did experience a number of application crashes of just Optics. When Optics crashes, you lose any adjustments made to the image in Optics. However, when I tested Optics 2022 on my mid-2014 15″ MacBook Pro using the same RAW images, the application was perfectly stable. So it could be some sort of hardware difference between the two Macs.
Here’s one workflow item to be aware of between Photoshop and Optics. If you crop an image in Photoshop, the area outside of the crop still exists, but is hidden. That full image without the crop is the layer sent to Optics. If you apply a stylized border effect, the border is applied to the edges of the full image. Therefore, some or all of the border will be cropped upon returning to Photoshop. Optics includes internal crop controls, so in that instance, you might wish to crop in Optics first, apply the border, and then match the crop for the whole image once back in Photoshop.
All in all, it’s a sweet application that really helps when stuck for ideas about what to do with an image when you want to elevate it above the mundane. Getting great results is fast and quite enjoyable – not to mention, infinitely easier than in Photoshop. Overall, Optics is a great tool for any photographer or graphic designer.
Click through the gallery images below to see further examples of looks and styles created with Boris FX Optics 2022.
©2022 Oliver Peters