It’s time to check out some more articles and reviews that I’ve written for other publications since January, but which I haven’t reposted here.
I wrote about trusting Apple Displays. This is a follow-up article about color management and Premiere Pro (Pro Video Coalition).
YouTube influencers are a big part of the content creation landscape today. Their videos cover many, different niches and often have a surprisingly large base of followers. I take a look at YouTube, aviation, and the use of Final Cut Pro to post-produce these videos (FCP.co).
Unless you’ve delivered master files for broadcast, you might not be as tuned into meeting delivery specs, especially when it comes to the perceived loudness levels of your mix. I discuss working with audio in Final Cut Pro to mix and master at optimal levels (FCP.co).
The folks at Color Trix have come up with an ingenious solution to augment Final Cut Pro’s camera raw support. The new Color Finale Transcoder adds additional camera raw formats, notably Blackmagic RAW. Check out my review of the software (FCP.co).
©2021 Oliver Peters