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	<title>digitalfilms</title>
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	<link>http://digitalfilms.wordpress.com</link>
	<description>a blog by Oliver Peters</description>
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		<title>digitalfilms</title>
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		<title>Mixing formats in the edit</title>
		<link>http://digitalfilms.wordpress.com/2009/12/27/mixing-formats-in-the-edit/</link>
		<comments>http://digitalfilms.wordpress.com/2009/12/27/mixing-formats-in-the-edit/#comments</comments>
		<pubDate>Sun, 27 Dec 2009 17:12:58 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[video info]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1365</guid>
		<description><![CDATA[
The sheer mix and volume of formats to deal with today can be mind-boggling. Videotape player/recorders – formerly a common denominator &#8211; are a vanishing breed. Post facilities still own and use VTRs, but operations at the local market level, especially in broadcast, are becoming increasingly tapeless. Clearly, once the current crop of installed VTRs [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1365&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<title>Smoke on the Mac</title>
		<link>http://digitalfilms.wordpress.com/2009/12/18/smoke-on-the-mac/</link>
		<comments>http://digitalfilms.wordpress.com/2009/12/18/smoke-on-the-mac/#comments</comments>
		<pubDate>Fri, 18 Dec 2009 22:07:20 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Smoke]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1206</guid>
		<description><![CDATA[
The possibility of a new high-end editorial tool for the Mac quickly buzzed around the internet forums. Now Autodesk has made it official, by shipping Autodesk Smoke 2010 for Mac OS X. Unlike Autodesk’s Linux-based systems products (Smoke, Flame), the Mac version of Smoke will be available as a software-only product for $14,995, plus an [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1206&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<title>Movies by the fireside</title>
		<link>http://digitalfilms.wordpress.com/2009/12/13/movies-by-the-fireside/</link>
		<comments>http://digitalfilms.wordpress.com/2009/12/13/movies-by-the-fireside/#comments</comments>
		<pubDate>Sun, 13 Dec 2009 21:06:57 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[editing]]></category>
		<category><![CDATA[filmmakers]]></category>
		<category><![CDATA[Coen Brothers]]></category>
		<category><![CDATA[David Fincher]]></category>
		<category><![CDATA[documentaries]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Slumdog]]></category>
		<category><![CDATA[Walter Murch]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1201</guid>
		<description><![CDATA[
With Oscar time approaching and movie-going, as well as, movie-giving a holiday tradition for many families, I decided to post a list of some films that are fun for editors to watch. These aren’t all Oscar-contenders, although there’s plenty of bling in this list. They are presented in no particular order, so I hope you [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1201&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<title>Color Grading Effects Demystified</title>
		<link>http://digitalfilms.wordpress.com/2009/12/05/color-grading-effects-demystified/</link>
		<comments>http://digitalfilms.wordpress.com/2009/12/05/color-grading-effects-demystified/#comments</comments>
		<pubDate>Sat, 05 Dec 2009 23:39:04 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[color grading]]></category>
		<category><![CDATA[tips and tricks]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Apple Color]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[Magic Bullet]]></category>
		<category><![CDATA[plug-ins]]></category>
		<category><![CDATA[workflows]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1155</guid>
		<description><![CDATA[
Color correction – or color grading – has taken on more importance these days, with new tools like Apple Color and digital cinematography cameras like the RED One. It is both the objective task of matching shots and evening out differences between them – and the subjective task of creating an artful “look”. Some facilities [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1155&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<title>11 More Final Cut Pro Tips</title>
		<link>http://digitalfilms.wordpress.com/2009/11/29/11-more-final-cut-pro-tips/</link>
		<comments>http://digitalfilms.wordpress.com/2009/11/29/11-more-final-cut-pro-tips/#comments</comments>
		<pubDate>Sun, 29 Nov 2009 02:22:02 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[film student]]></category>
		<category><![CDATA[tips and tricks]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[workflows]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1129</guid>
		<description><![CDATA[
During the years with Final Cut, I’ve accumulated a number of workflow steps to eliminate some of the “gotchas” and bottlenecks. I’ll share a few in this post and hope you find them to be helpful.

1. Gamma setting
A couple of versions ago, FCP added a gamma settings preference (User Preferences / Editing). This lets you [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1129&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Remember film?</title>
		<link>http://digitalfilms.wordpress.com/2009/11/20/remember-film/</link>
		<comments>http://digitalfilms.wordpress.com/2009/11/20/remember-film/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 00:49:12 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[editing]]></category>
		<category><![CDATA[film info]]></category>
		<category><![CDATA[film student]]></category>
		<category><![CDATA[general concepts and ideas]]></category>
		<category><![CDATA[tips and tricks]]></category>
		<category><![CDATA[video info]]></category>
		<category><![CDATA[workflows]]></category>
		<category><![CDATA[filmmakers]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1087</guid>
		<description><![CDATA[
With all the buzz about various digital cameras like RED and the latest HDSLRs, it’s easy to forget that most national commercial campaigns, dramatic television shows, feature films and many local and regional spots are still filmed with ACTUAL 16mm and 35mm motion picture film. As an editor, you need to have a good understanding [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1087&subd=digitalfilms&ref=&feed=1" />]]></description>
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			<media:title type="html">Oliver Peters</media:title>
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		<media:content url="http://digitalfilms.files.wordpress.com/2009/11/blg_film_1.jpg" medium="image">
			<media:title type="html">blg_film_1</media:title>
		</media:content>

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			<media:title type="html">blg_film_3</media:title>
		</media:content>

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			<media:title type="html">blg_film_2</media:title>
		</media:content>

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			<media:title type="html">blg_film_4</media:title>
		</media:content>

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			<media:title type="html">blg_film_5</media:title>
		</media:content>

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			<media:title type="html">blg_film_6</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/11/blg_film_7.jpg" medium="image">
			<media:title type="html">blg_film_7</media:title>
		</media:content>
	</item>
		<item>
		<title>The annual Editors Retreat is coming</title>
		<link>http://digitalfilms.wordpress.com/2009/11/15/the-annual-editors-retreat-is-coming/</link>
		<comments>http://digitalfilms.wordpress.com/2009/11/15/the-annual-editors-retreat-is-coming/#comments</comments>
		<pubDate>Sun, 15 Nov 2009 21:50:06 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[business]]></category>
		<category><![CDATA[editing]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1084</guid>
		<description><![CDATA[
If winter is the time for a bit of R&#38;R in Florida, then it’s time to consider the annual Editors Retreat, now in its fifth year. This is an opportunity to spend a few days with a select group of editors for professional training, an exchange of ideas and just plain fun. The Editors Retreat [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1084&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/11/15/the-annual-editors-retreat-is-coming/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/11/erlogo2.gif" medium="image">
			<media:title type="html">erLogo2</media:title>
		</media:content>
	</item>
		<item>
		<title>Tips for Small Camera and Hybrid DSLR Production</title>
		<link>http://digitalfilms.wordpress.com/2009/11/06/tips-for-small-camera-and-hybrid-dslr-production/</link>
		<comments>http://digitalfilms.wordpress.com/2009/11/06/tips-for-small-camera-and-hybrid-dslr-production/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 23:13:46 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[HDSLRs and post]]></category>
		<category><![CDATA[tips and tricks]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Nikon D3s]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[workflows]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1080</guid>
		<description><![CDATA[
It started in earnest last year and has no sign of abating.  Videographers are clearly in the midst of two revolutions: tapeless recording and the use of the hybrid still/video camera (HDSLR). The tapeless future started with P2 and XDCAM, but these storage devices have been joined by other options, including Compact Flash, SD and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1080&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/11/06/tips-for-small-camera-and-hybrid-dslr-production/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/11/blg_cams.jpg" medium="image">
			<media:title type="html">blg_cams</media:title>
		</media:content>
	</item>
		<item>
		<title>AJA Ki Pro</title>
		<link>http://digitalfilms.wordpress.com/2009/10/30/aja-ki-pro/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/30/aja-ki-pro/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 20:21:32 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[AJA]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1076</guid>
		<description><![CDATA[
If you thought that there were more than enough tapeless recording devices already on the market by Focus Enhancements, Edirol and Convergent Designs, you would only be partially right. The AJA Ki Pro sparked a lot of enthusiasm at NAB 2009. While it clearly offers cameramen many benefits, it also provides some opportunities for the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1076&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/10/30/aja-ki-pro/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_kipro.jpg" medium="image">
			<media:title type="html">blg_kipro</media:title>
		</media:content>
	</item>
		<item>
		<title>Blackmagic Design UltraScope</title>
		<link>http://digitalfilms.wordpress.com/2009/10/24/blackmagic-design-ultrascope/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/24/blackmagic-design-ultrascope/#comments</comments>
		<pubDate>Sat, 24 Oct 2009 15:21:47 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[facility design]]></category>
		<category><![CDATA[video info]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1072</guid>
		<description><![CDATA[
Blackmagic Design’s UltraScope gained a lot of buzz at NAB 2009. In a time when fewer facilities are spending precious budget dollars on high-end video and technical monitors, the UltraScope seems to fit the bill for a high-quality, but low-cost waveform monitor and vectorscope. It doesn’t answer all needs, but if you are interested in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1072&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/10/24/blackmagic-design-ultrascope/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_bmd_uscope.jpg" medium="image">
			<media:title type="html">blg_bmd_uscope</media:title>
		</media:content>
	</item>
		<item>
		<title>Final Cut vs. Avid Redux</title>
		<link>http://digitalfilms.wordpress.com/2009/10/17/final-cut-vs-avid-redux/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/17/final-cut-vs-avid-redux/#comments</comments>
		<pubDate>Sat, 17 Oct 2009 16:27:06 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[general concepts and ideas]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Studio]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1067</guid>
		<description><![CDATA[
People like competition for its own sake, so the NLE argument – just like other platform wars – never dies. In the past year, Apple and Avid have broken new ground with very solid updates to their flagship editor applications. Apple with its introduction of the “new” Final Cut Studio, featuring Final Cut Pro 7 [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1067&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/10/17/final-cut-vs-avid-redux/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_fcp-avid09.jpg" medium="image">
			<media:title type="html">blg_fcp-avid09</media:title>
		</media:content>
	</item>
		<item>
		<title>Autodesk Flares Up</title>
		<link>http://digitalfilms.wordpress.com/2009/10/11/autodesk-flares-up/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/11/autodesk-flares-up/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 22:48:29 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[Autodesk]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Flame]]></category>
		<category><![CDATA[Flare]]></category>
		<category><![CDATA[graphics]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1061</guid>
		<description><![CDATA[
All manufacturers are looking for the best way to deal with these challenging economic times. The Autodesk Media &#38; Entertainment division has managed to hold up well at the high end, with signature products like Smoke, Flame, Inferno and Lustre; but its customers, like everyone else, are certainly clamoring for cost-effective solutions. Autodesk has offered [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1061&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/10/11/autodesk-flares-up/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_flare_1.jpg" medium="image">
			<media:title type="html">blg_flare_1</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_flare_2.jpg" medium="image">
			<media:title type="html">blg_flare_2</media:title>
		</media:content>

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			<media:title type="html">blg_flare_3</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_flare_4.jpg" medium="image">
			<media:title type="html">blg_flare_4</media:title>
		</media:content>
	</item>
		<item>
		<title>The new Final Cut Studio</title>
		<link>http://digitalfilms.wordpress.com/2009/10/04/the-new-final-cut-studio/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/04/the-new-final-cut-studio/#comments</comments>
		<pubDate>Sun, 04 Oct 2009 23:43:53 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Apple Color]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Studio]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1039</guid>
		<description><![CDATA[
With little fanfare, Apple simply announced the new Final Cut Studio on their website, ending months of speculation in the online communities. Apple had prepped for this moment, however, with ready-made, free Ripple Training and Lynda.com tutorials, online documentation (no more paper manuals) and a number of extra downloads.
The new Final Cut Studio (not version [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1039&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/10/04/the-new-final-cut-studio/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_fcp7_1.jpg" medium="image">
			<media:title type="html">blg_FCP7_1</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_fcp7_4.jpg" medium="image">
			<media:title type="html">blg_FCP7_4</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_fcp7_21.jpg" medium="image">
			<media:title type="html">blg_FCP7_2</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_fcp7_5.jpg" medium="image">
			<media:title type="html">blg_FCP7_5</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_fcp7_7.jpg" medium="image">
			<media:title type="html">blg_FCP7_7</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/10/blg_fcp7_6.jpg" medium="image">
			<media:title type="html">blg_FCP7_6</media:title>
		</media:content>
	</item>
		<item>
		<title>Avid Media Composer 2009</title>
		<link>http://digitalfilms.wordpress.com/2009/09/29/avid-media-composer-2009/</link>
		<comments>http://digitalfilms.wordpress.com/2009/09/29/avid-media-composer-2009/#comments</comments>
		<pubDate>Tue, 29 Sep 2009 14:14:03 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[editing]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1034</guid>
		<description><![CDATA[
Earlier this year Avid released the 3.5 version of Media Composer software, as well as the corresponding versions for NewsCutter and Symphony. Media Composer 3.5 included more change and innovation than a typical .5 software release. Besides many small improvements, there are three big features promoted with this release: software activation, 3D stereoscopic editing and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1034&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/09/29/avid-media-composer-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_avidmc.jpg" medium="image">
			<media:title type="html">blg_avidmc</media:title>
		</media:content>
	</item>
		<item>
		<title>Edit Suite Design, Part III</title>
		<link>http://digitalfilms.wordpress.com/2009/09/18/edit-suite-design-part-iii/</link>
		<comments>http://digitalfilms.wordpress.com/2009/09/18/edit-suite-design-part-iii/#comments</comments>
		<pubDate>Fri, 18 Sep 2009 00:20:12 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[facility design]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[workflows]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1019</guid>
		<description><![CDATA[
Last year I wrote about designing a cost-effective HD edit suite and compared  three budget ranges for both an Avid and an FCP suite. This year I’ve put together one updated spreadsheet (download here). It’s interesting to see that over the course of this past year, some of the numbers have come down and you [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1019&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/09/18/edit-suite-design-part-iii/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_8.jpg" medium="image">
			<media:title type="html">blg_design_8</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_9.jpg" medium="image">
			<media:title type="html">blg_design_9</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_1.jpg" medium="image">
			<media:title type="html">blg_design_1</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_2.jpg" medium="image">
			<media:title type="html">blg_design_2</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_6.jpg" medium="image">
			<media:title type="html">blg_design_6</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_7.jpg" medium="image">
			<media:title type="html">blg_design_7</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_4.jpg" medium="image">
			<media:title type="html">blg_design_4</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/09/blg_design_5.jpg" medium="image">
			<media:title type="html">blg_design_5</media:title>
		</media:content>
	</item>
		<item>
		<title>Sitting in the Mix</title>
		<link>http://digitalfilms.wordpress.com/2009/08/31/sitting-in-the-mix/</link>
		<comments>http://digitalfilms.wordpress.com/2009/08/31/sitting-in-the-mix/#comments</comments>
		<pubDate>Mon, 31 Aug 2009 01:19:43 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[audio info]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tips and tricks]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1006</guid>
		<description><![CDATA[
Like most video editors, audio mixing isn’t necessarily my forte, but there are plenty of projects, where I end up “playing a mixer on TV”. I’ll be the first to recommend that &#8211; budget permitting &#8211; you should have an experienced audio editor/mixer handle the sound portion of your project. I work with several and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1006&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/08/31/sitting-in-the-mix/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/08/blog_mix_1.jpg" medium="image">
			<media:title type="html">blog_mix_1</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/08/blog_mix_2.jpg" medium="image">
			<media:title type="html">blog_mix_2</media:title>
		</media:content>

		<media:content url="http://digitalfilms.files.wordpress.com/2009/08/blog_mix_9.jpg" medium="image">
			<media:title type="html">blog_mix_9</media:title>
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		<title>Canon EOS 5D Mark II in the real world</title>
		<link>http://digitalfilms.wordpress.com/2009/08/15/canon-eos-5d-mark-ii-in-the-real-world/</link>
		<comments>http://digitalfilms.wordpress.com/2009/08/15/canon-eos-5d-mark-ii-in-the-real-world/#comments</comments>
		<pubDate>Sat, 15 Aug 2009 21:36:46 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[HDSLRs and post]]></category>
		<category><![CDATA[My Projects]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tips and tricks]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[RED]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=987</guid>
		<description><![CDATA[
A case study on dealing with Canon 5D Mk2 footage on actual productions.
You could say that it started with Panasonic and Nikon, but it wasn’t until professional photographer Vincent Laforet posted his ground-breaking short film Reverie, that the idea of a shooting video with a DSLR (digital single lens reflex) camera caught everyone’s imagination. The [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=987&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<item>
		<title>Reliving the Zoetrope tradition &#8211; Walter Murch and Tetro</title>
		<link>http://digitalfilms.wordpress.com/2009/08/01/reliving-the-zoetrope-tradition-walter-murch-and-tetro/</link>
		<comments>http://digitalfilms.wordpress.com/2009/08/01/reliving-the-zoetrope-tradition-walter-murch-and-tetro/#comments</comments>
		<pubDate>Sat, 01 Aug 2009 18:22:43 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[editing]]></category>
		<category><![CDATA[film student]]></category>
		<category><![CDATA[filmmakers]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Walter Murch]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=976</guid>
		<description><![CDATA[
Age can sometimes be an impediment to inspired filmmaking, but Francis Ford Coppola, who recently turned 70, has tackled his latest endeavor with the enthusiasm and creativity of a young film school graduate. The film Tetro opened June 11th in New York and Los Angeles and will enter wider distribution in the weeks that follow. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=976&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/08/01/reliving-the-zoetrope-tradition-walter-murch-and-tetro/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<item>
		<title>FxFactory adds diversity to your toolkit</title>
		<link>http://digitalfilms.wordpress.com/2009/07/25/fxfactory-adds-diversity-to-your-toolkit/</link>
		<comments>http://digitalfilms.wordpress.com/2009/07/25/fxfactory-adds-diversity-to-your-toolkit/#comments</comments>
		<pubDate>Sat, 25 Jul 2009 18:24:06 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[FxFactory]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[Noise Industries]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=959</guid>
		<description><![CDATA[
For the past few posts I’ve been looking at a number of new plug-ins and applications designed to augment an editor’s toolset. I’m going to round off this “Plug-in Summer” with a fresh look at FxFactory. Noise Industries was one of the first developers to leverage the power of Apple’s Core Image technology for real-time [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=959&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/07/25/fxfactory-adds-diversity-to-your-toolkit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<item>
		<title>A little mocha in your video?</title>
		<link>http://digitalfilms.wordpress.com/2009/07/19/a-little-mocha-in-your-video/</link>
		<comments>http://digitalfilms.wordpress.com/2009/07/19/a-little-mocha-in-your-video/#comments</comments>
		<pubDate>Sun, 19 Jul 2009 19:31:52 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[apps-gear-filters]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro and Studio]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[mocha]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=948</guid>
		<description><![CDATA[
Tracking is the key to believable visual effects and one of the leaders in this technology is Imagineer Systems. Mocha, a 2D standalone tracker, is one of their better known products. If you purchased one of Adobe’s Creative Suite 4 bundles that included After Effects, then you already own mocha for After Effects, whether you [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=948&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/07/19/a-little-mocha-in-your-video/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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