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	<title>digitalfilms</title>
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	<link>http://digitalfilms.wordpress.com</link>
	<description>a blog by Oliver Peters</description>
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		<title>Tips for Small Camera and Hybrid DSLR Production</title>
		<link>http://digitalfilms.wordpress.com/2009/11/06/tips-for-small-camera-and-hybrid-dslr-production/</link>
		<comments>http://digitalfilms.wordpress.com/2009/11/06/tips-for-small-camera-and-hybrid-dslr-production/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 23:13:46 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[business]]></category>
		<category><![CDATA[misc]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[workflows]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Nikon D3s]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1080</guid>
		<description><![CDATA[
It started in earnest last year and has no sign of abating.  Videographers are clearly in the midst of two revolutions: tapeless recording and the use of the hybrid still/video camera (HDSLR). The tapeless future started with P2 and XDCAM, but these storage devices have been joined by other options, including Compact Flash, SD and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1080&subd=digitalfilms&ref=&feed=1" />]]></description>
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			<media:title type="html">Oliver Peters</media:title>
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		<title>AJA Ki Pro</title>
		<link>http://digitalfilms.wordpress.com/2009/10/30/aja-ki-pro/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/30/aja-ki-pro/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 20:21:32 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[misc]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[AJA]]></category>
		<category><![CDATA[Final Cut]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1076</guid>
		<description><![CDATA[
If you thought that there were more than enough tapeless recording devices already on the market by Focus Enhancements, Edirol and Convergent Designs, you would only be partially right. The AJA Ki Pro sparked a lot of enthusiasm at NAB 2009. While it clearly offers cameramen many benefits, it also provides some opportunities for the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1076&subd=digitalfilms&ref=&feed=1" />]]></description>
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			<media:title type="html">Oliver Peters</media:title>
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		<title>Blackmagic Design UltraScope</title>
		<link>http://digitalfilms.wordpress.com/2009/10/24/blackmagic-design-ultrascope/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/24/blackmagic-design-ultrascope/#comments</comments>
		<pubDate>Sat, 24 Oct 2009 15:21:47 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[media]]></category>
		<category><![CDATA[misc]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1072</guid>
		<description><![CDATA[
Blackmagic Design’s UltraScope gained a lot of buzz at NAB 2009. In a time when fewer facilities are spending precious budget dollars on high-end video and technical monitors, the UltraScope seems to fit the bill for a high-quality, but low-cost waveform monitor and vectorscope. It doesn’t answer all needs, but if you are interested in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1072&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<title>Final Cut vs. Avid Redux</title>
		<link>http://digitalfilms.wordpress.com/2009/10/17/final-cut-vs-avid-redux/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/17/final-cut-vs-avid-redux/#comments</comments>
		<pubDate>Sat, 17 Oct 2009 16:27:06 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1067</guid>
		<description><![CDATA[
People like competition for its own sake, so the NLE argument – just like other platform wars – never dies. In the past year, Apple and Avid have broken new ground with very solid updates to their flagship editor applications. Apple with its introduction of the “new” Final Cut Studio, featuring Final Cut Pro 7 [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1067&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<title>Autodesk Flares Up</title>
		<link>http://digitalfilms.wordpress.com/2009/10/11/autodesk-flares-up/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/11/autodesk-flares-up/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 22:48:29 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[editing]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[Autodesk]]></category>
		<category><![CDATA[Flame]]></category>
		<category><![CDATA[Flare]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1061</guid>
		<description><![CDATA[
All manufacturers are looking for the best way to deal with these challenging economic times. The Autodesk Media &#38; Entertainment division has managed to hold up well at the high end, with signature products like Smoke, Flame, Inferno and Lustre; but its customers, like everyone else, are certainly clamoring for cost-effective solutions. Autodesk has offered [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1061&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<title>The new Final Cut Studio</title>
		<link>http://digitalfilms.wordpress.com/2009/10/04/the-new-final-cut-studio/</link>
		<comments>http://digitalfilms.wordpress.com/2009/10/04/the-new-final-cut-studio/#comments</comments>
		<pubDate>Sun, 04 Oct 2009 23:43:53 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Apple Color]]></category>
		<category><![CDATA[Final Cut]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1039</guid>
		<description><![CDATA[
With little fanfare, Apple simply announced the new Final Cut Studio on their website, ending months of speculation in the online communities. Apple had prepped for this moment, however, with ready-made, free Ripple Training and Lynda.com tutorials, online documentation (no more paper manuals) and a number of extra downloads.
The new Final Cut Studio (not version [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1039&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<item>
		<title>Avid Media Composer 2009</title>
		<link>http://digitalfilms.wordpress.com/2009/09/29/avid-media-composer-2009/</link>
		<comments>http://digitalfilms.wordpress.com/2009/09/29/avid-media-composer-2009/#comments</comments>
		<pubDate>Tue, 29 Sep 2009 14:14:03 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[editing]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1034</guid>
		<description><![CDATA[
Earlier this year Avid released the 3.5 version of Media Composer software, as well as the corresponding versions for NewsCutter and Symphony. Media Composer 3.5 included more change and innovation than a typical .5 software release. Besides many small improvements, there are three big features promoted with this release: software activation, 3D stereoscopic editing and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1034&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<item>
		<title>Edit Suite Design, Part III</title>
		<link>http://digitalfilms.wordpress.com/2009/09/18/edit-suite-design-part-iii/</link>
		<comments>http://digitalfilms.wordpress.com/2009/09/18/edit-suite-design-part-iii/#comments</comments>
		<pubDate>Fri, 18 Sep 2009 00:20:12 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[business]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[workflows]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1019</guid>
		<description><![CDATA[
Last year I wrote about designing a cost-effective HD edit suite and compared  three budget ranges for both an Avid and an FCP suite. This year I’ve put together one updated spreadsheet (download here). It’s interesting to see that over the course of this past year, some of the numbers have come down and you [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1019&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<title>Sitting in the Mix</title>
		<link>http://digitalfilms.wordpress.com/2009/08/31/sitting-in-the-mix/</link>
		<comments>http://digitalfilms.wordpress.com/2009/08/31/sitting-in-the-mix/#comments</comments>
		<pubDate>Mon, 31 Aug 2009 01:19:43 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[film student]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=1006</guid>
		<description><![CDATA[
Like most video editors, audio mixing isn’t necessarily my forte, but there are plenty of projects, where I end up “playing a mixer on TV”. I’ll be the first to recommend that &#8211; budget permitting &#8211; you should have an experienced audio editor/mixer handle the sound portion of your project. I work with several and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=1006&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<title>Canon EOS 5D Mark II in the real world</title>
		<link>http://digitalfilms.wordpress.com/2009/08/15/canon-eos-5d-mark-ii-in-the-real-world/</link>
		<comments>http://digitalfilms.wordpress.com/2009/08/15/canon-eos-5d-mark-ii-in-the-real-world/#comments</comments>
		<pubDate>Sat, 15 Aug 2009 21:36:46 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[My Projects]]></category>
		<category><![CDATA[RED]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[misc]]></category>
		<category><![CDATA[workflows]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Final Cut]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=987</guid>
		<description><![CDATA[
A case study on dealing with Canon 5D Mk2 footage on actual productions.
You could say that it started with Panasonic and Nikon, but it wasn’t until professional photographer Vincent Laforet posted his ground-breaking short film Reverie, that the idea of a shooting video with a DSLR (digital single lens reflex) camera caught everyone’s imagination. The [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=987&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/08/15/canon-eos-5d-mark-ii-in-the-real-world/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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		<item>
		<title>Reliving the Zoetrope tradition &#8211; Walter Murch and Tetro</title>
		<link>http://digitalfilms.wordpress.com/2009/08/01/reliving-the-zoetrope-tradition-walter-murch-and-tetro/</link>
		<comments>http://digitalfilms.wordpress.com/2009/08/01/reliving-the-zoetrope-tradition-walter-murch-and-tetro/#comments</comments>
		<pubDate>Sat, 01 Aug 2009 18:22:43 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[film student]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Francis Ford Coppola]]></category>
		<category><![CDATA[Walter Murch]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=976</guid>
		<description><![CDATA[
Age can sometimes be an impediment to inspired filmmaking, but Francis Ford Coppola, who recently turned 70, has tackled his latest endeavor with the enthusiasm and creativity of a young film school graduate. The film Tetro opened June 11th in New York and Los Angeles and will enter wider distribution in the weeks that follow. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=976&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/08/01/reliving-the-zoetrope-tradition-walter-murch-and-tetro/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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		<item>
		<title>FxFactory adds diversity to your toolkit</title>
		<link>http://digitalfilms.wordpress.com/2009/07/25/fxfactory-adds-diversity-to-your-toolkit/</link>
		<comments>http://digitalfilms.wordpress.com/2009/07/25/fxfactory-adds-diversity-to-your-toolkit/#comments</comments>
		<pubDate>Sat, 25 Jul 2009 18:24:06 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[FxFactory]]></category>
		<category><![CDATA[Noise Industries]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=959</guid>
		<description><![CDATA[
For the past few posts I’ve been looking at a number of new plug-ins and applications designed to augment an editor’s toolset. I’m going to round off this “Plug-in Summer” with a fresh look at FxFactory. Noise Industries was one of the first developers to leverage the power of Apple’s Core Image technology for real-time [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=959&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/07/25/fxfactory-adds-diversity-to-your-toolkit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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		<item>
		<title>A little mocha in your video?</title>
		<link>http://digitalfilms.wordpress.com/2009/07/19/a-little-mocha-in-your-video/</link>
		<comments>http://digitalfilms.wordpress.com/2009/07/19/a-little-mocha-in-your-video/#comments</comments>
		<pubDate>Sun, 19 Jul 2009 19:31:52 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[misc]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[mocha]]></category>
		<category><![CDATA[tracking]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=948</guid>
		<description><![CDATA[
Tracking is the key to believable visual effects and one of the leaders in this technology is Imagineer Systems. Mocha, a 2D standalone tracker, is one of their better known products. If you purchased one of Adobe’s Creative Suite 4 bundles that included After Effects, then you already own mocha for After Effects, whether you [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=948&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/07/19/a-little-mocha-in-your-video/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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		<title>Boris FX – Rockin’ with BCC6</title>
		<link>http://digitalfilms.wordpress.com/2009/07/11/boris-fx-%e2%80%93-rockin%e2%80%99-with-bcc6/</link>
		<comments>http://digitalfilms.wordpress.com/2009/07/11/boris-fx-%e2%80%93-rockin%e2%80%99-with-bcc6/#comments</comments>
		<pubDate>Sat, 11 Jul 2009 21:13:47 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Boris FX]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=925</guid>
		<description><![CDATA[
Boris FX is one of the most prolific producers of plug-in filters and compositing applications. Factor in all the host applications covered by the Boris products &#8211; like Boris Continuum Complete, plus the hosted and standalone versions of Boris Red, Blue, FX and Graffiti – and you can easily see how so much video is [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=925&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/07/11/boris-fx-%e2%80%93-rockin%e2%80%99-with-bcc6/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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		<item>
		<title>nVeil – the origami of video</title>
		<link>http://digitalfilms.wordpress.com/2009/07/04/nveil-%e2%80%93-the-origami-of-video/</link>
		<comments>http://digitalfilms.wordpress.com/2009/07/04/nveil-%e2%80%93-the-origami-of-video/#comments</comments>
		<pubDate>Sat, 04 Jul 2009 18:27:37 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=913</guid>
		<description><![CDATA[
If you are looking for a plug-in to give you a unique and different look for striking visual effects, then Storek Studio’s nVeil filter fits the bill. nVeil is an FxPlug filter for Final Cut Pro, Final Cut Express and Motion and provides yet another tool that leverages the power of OpenGL and the FxPlug [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=913&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/07/04/nveil-%e2%80%93-the-origami-of-video/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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		<item>
		<title>Scoring with Sonicfire Pro</title>
		<link>http://digitalfilms.wordpress.com/2009/06/27/scoring-with-sonicfire-pro/</link>
		<comments>http://digitalfilms.wordpress.com/2009/06/27/scoring-with-sonicfire-pro/#comments</comments>
		<pubDate>Sat, 27 Jun 2009 19:46:35 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[plug-ins]]></category>
		<category><![CDATA[workflows]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=887</guid>
		<description><![CDATA[
Music choices are very subjective and can often be the most difficult part of finishing a production. There is no replacement for a true custom score that’s right on the money, but rarely do clients have a budget to support that, especially in the world of corporate video. I’ve frequently built videos with music changes [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=887&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/06/27/scoring-with-sonicfire-pro/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://0.gravatar.com/avatar/6a513b5728761449f4be1939ff2e785b?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">Oliver Peters</media:title>
		</media:content>

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		<title>PluralEyes- Help for that Syncing Feeling</title>
		<link>http://digitalfilms.wordpress.com/2009/06/20/pluraleyes-help-for-that-syncing-feeling/</link>
		<comments>http://digitalfilms.wordpress.com/2009/06/20/pluraleyes-help-for-that-syncing-feeling/#comments</comments>
		<pubDate>Sat, 20 Jun 2009 17:45:06 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[workflows]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[music videos]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=875</guid>
		<description><![CDATA[
If you’ve ever edited multi-cam shows where the production crew’s attitude seemed to have been, “Sync! We don’t need any stinkin’ sync!” – then this software is for you. Without a doubt, every editor friend I ran into at NAB that happened to pass by Singular Software’s booth raved about this product. “You have GOT [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=875&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/06/20/pluraleyes-help-for-that-syncing-feeling/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<item>
		<title>More Grunt with CoreMelt</title>
		<link>http://digitalfilms.wordpress.com/2009/06/14/more-grunt-with-coremelt/</link>
		<comments>http://digitalfilms.wordpress.com/2009/06/14/more-grunt-with-coremelt/#comments</comments>
		<pubDate>Sun, 14 Jun 2009 18:44:47 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[editing]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=862</guid>
		<description><![CDATA[
In the world of plug-in effects filters, CoreMelt might seem like the new kid but that would be incorrect. CoreMelt is the brainchild of Roger Bolton, an accomplished Flame artist and visual effects veteran with numerous film credits, including Kingdom of Heaven and The Lords of the Rings trilogy. Bolton started out as one of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=862&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/06/14/more-grunt-with-coremelt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<item>
		<title>Loader</title>
		<link>http://digitalfilms.wordpress.com/2009/06/06/loader/</link>
		<comments>http://digitalfilms.wordpress.com/2009/06/06/loader/#comments</comments>
		<pubDate>Sat, 06 Jun 2009 22:53:19 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Final Cut Studio]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[workflows]]></category>
		<category><![CDATA[Final Cut]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=851</guid>
		<description><![CDATA[
The last 6 – 12 months have seen a bumper crop of new Final Cut plug-ins and utilities that extend its power and functionality. Quite a few have come to light since this year’s NAB. I’m going to spend the summer highlighting a number of these throughout the next series of posts.

 
The first isn’t really [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=851&subd=digitalfilms&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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		<item>
		<title>RED One and Magic Bullet Looks</title>
		<link>http://digitalfilms.wordpress.com/2009/05/25/red-one-and-magic-bullet-looks/</link>
		<comments>http://digitalfilms.wordpress.com/2009/05/25/red-one-and-magic-bullet-looks/#comments</comments>
		<pubDate>Mon, 25 May 2009 00:24:33 +0000</pubDate>
		<dc:creator>Oliver Peters</dc:creator>
				<category><![CDATA[RED]]></category>
		<category><![CDATA[color grading]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Magic Bullet]]></category>
		<category><![CDATA[plug-ins]]></category>

		<guid isPermaLink="false">http://digitalfilms.wordpress.com/?p=820</guid>
		<description><![CDATA[
A while back the folks at Video Resources, Inc. posted an entry on their ShootWithRed blog called One Image, Many Visions. You can download a source image showing an over-the-shoulder shot of a woman, then play with the color grading of the image and post your results to their web gallery. It’s interesting to see how many different looks [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=digitalfilms.wordpress.com&blog=3136331&post=820&subd=digitalfilms&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://digitalfilms.wordpress.com/2009/05/25/red-one-and-magic-bullet-looks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Oliver Peters</media:title>
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