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Archive for the ‘RED’ Category

A case study on dealing with Canon 5D Mk2 footage on actual productions.
You could say that it started with Panasonic and Nikon, but it wasn’t until professional photographer Vincent Laforet posted his ground-breaking short film Reverie, that the idea of a shooting video with a DSLR (digital single lens reflex) camera caught everyone’s imagination. The [...]

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A while back the folks at Video Resources, Inc. posted an entry on their ShootWithRed blog called One Image, Many Visions. You can download a source image showing an over-the-shoulder shot of a woman, then play with the color grading of the image and post your results to their web gallery. It’s interesting to see how many different looks [...]

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A commercial case study
 
Ever since the RED Digital Cinema Camera Company started to ship its innovative RED One camera, producers have been challenged with the best way to post produce its footage. Detractors have slammed RED for a supposed lack of post workflows. This is in wrong, since there are a number of solid ways [...]

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The popularity of P2 and other tapeless camera formats has had a big impact on the post community. Some editors love it while others view it as a huge pain. Nevertheless – like it or not – file-based production and post production are here to stay. There’s not only P2, but also XDCAM, XDCAM-HD, XDCAM-EX, [...]

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Resolution Purists and the Real World

I love to lurk over at RedUser.net, the unofficial online forum for RED owners and enthusiasts. It’s a great place to gain insight about the technology, but it’s also just pure fun reading the various perceptions of the lesser experienced RED aficionados. The RED One camera employs a single 4520 x 2540 CMOS sensor to [...]

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