A while back the folks at Video Resources, Inc. posted an entry on their ShootWithRed blog called One Image, Many Visions. You can download a source image showing an over-the-shoulder shot of a woman, then play with the color grading of the image and post your results to their web gallery. It’s interesting to see how many different looks [...]
Archive for the ‘RED’ Category
RED One and Magic Bullet Looks
Posted in RED, color grading, tagged color grading, Magic Bullet, RED on May 25, 2009 | Comments Off
RED Post – the Easy Way
Posted in Avid, Final Cut Pro, Final Cut Studio, My Projects, RED, color grading, editing, video, tagged Avid, color grading, editing, Final Cut, Final Cut Pro, Final Cut Studio, RED, workflows on March 28, 2009 | Comments Off
A commercial case study
Ever since the RED Digital Cinema Camera Company started to ship its innovative RED One camera, producers have been challenged with the best way to post produce its footage. Detractors have slammed RED for a supposed lack of post workflows. This is in wrong, since there are a number of solid ways [...]
Going Tapeless
Posted in Avid, Final Cut Pro, Final Cut Studio, RED, editing, film student, media, video, workflows, tagged Final Cut, Avid, editing, Final Cut Studio, video, media, workflows, Final Cut Pro, RED on September 17, 2008 | Comments Off
The popularity of P2 and other tapeless camera formats has had a big impact on the post community. Some editors love it while others view it as a huge pain. Nevertheless – like it or not – file-based production and post production are here to stay. There’s not only P2, but also XDCAM, XDCAM-HD, XDCAM-EX, [...]
Resolution Purists and the Real World
Posted in RED, film student, films, video, tagged films, RED, video on May 27, 2008 | Comments Off
I love to lurk over at RedUser.net, the unofficial online forum for RED owners and enthusiasts. It’s a great place to gain insight about the technology, but it’s also just pure fun reading the various perceptions of the lesser experienced RED aficionados. The RED One camera employs a single 4520 x 2540 CMOS sensor to [...]
Posting RED
Posted in Avid, Final Cut Studio, RED, color grading, workflows, tagged Avid, color grading, Final Cut, Final Cut Pro, Final Cut Studio, RED, workflows on March 16, 2008 | Comments Off
In two short years Oakley founder Jim Jannard has piloted RED Digital Camera from an unknown upstart to an industry force. Unofficially buyers have reserved over 3,500 cameras, of which several hundred are now out in the wild. If everything is on track, I estimate that by year’s end RED Digital Camera will have shipped [...]
